Here are some of composer and percussionist Patrick Marschke's thoughts on "le/af", his piece for us (we promise we didn't pay him to say so many nice things about us). The most thoughtful kind of musician, Patrick's sound draws on all sorts of both musical and non-musical influences to create works that are affecting in a deeply personal way. You will notice we broke our three question rule on this one, but you can never learn too much about a piece!
What was the inspiration for your piece?
All of the circumstances surrounding Slipstream and their commissioning process are incredibly extra-ordinary. Basically, they are a group of killer musicians that rehearse like crazy and put an insane amount of work into presenting music in thoughtful and interesting ways. Composer Jackpot = my inspiration.
How did this influence your construction of the piece?
I really like the idea writing for people rather than instruments. Each part in le/af is a product of my trying to capture a little bit of the character of each player (little did they know).
Is there anything that audience members should listen for that isn't immediately apparent on first listen?
I wanted to challenge Slipstream to try and do a lot with very little, taking quiet simplicity and making something compelling with it in a way that only musicians of their caliber can. I also thought of my piece in contrast to the Mayrose and Werfelmann pieces, which are relatively substantial and intricate. Hopefully it continues to compliment all of Slipstream’s music as they continue to commission new works.
Bonus Qusetion #1: Since this is a revised version of the piece you gave us last year, what inspired you to add the kick drum?
The group had started adding some compelling ‘push’ in certain sections and I really liked how that brought the piece together. I felt that adding a kick would solidify this. But mostly I wanted to make it harder for Dan.
Bonus Question #2: Are there any other artists you would encourage people to check out if they enjoy your piece?
e. e. cummings
Two days until the recital--we are so excited to see you there!
What was the inspiration for your piece?
All of the circumstances surrounding Slipstream and their commissioning process are incredibly extra-ordinary. Basically, they are a group of killer musicians that rehearse like crazy and put an insane amount of work into presenting music in thoughtful and interesting ways. Composer Jackpot = my inspiration.
How did this influence your construction of the piece?
I really like the idea writing for people rather than instruments. Each part in le/af is a product of my trying to capture a little bit of the character of each player (little did they know).
Is there anything that audience members should listen for that isn't immediately apparent on first listen?
I wanted to challenge Slipstream to try and do a lot with very little, taking quiet simplicity and making something compelling with it in a way that only musicians of their caliber can. I also thought of my piece in contrast to the Mayrose and Werfelmann pieces, which are relatively substantial and intricate. Hopefully it continues to compliment all of Slipstream’s music as they continue to commission new works.
Bonus Qusetion #1: Since this is a revised version of the piece you gave us last year, what inspired you to add the kick drum?
The group had started adding some compelling ‘push’ in certain sections and I really liked how that brought the piece together. I felt that adding a kick would solidify this. But mostly I wanted to make it harder for Dan.
Bonus Question #2: Are there any other artists you would encourage people to check out if they enjoy your piece?
e. e. cummings
Two days until the recital--we are so excited to see you there!
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